ISSN 2041-3254

Posts Tagged ‘television’

Editorial: ‘All the pieces matter’ – introductory notes on The Wire

by Ash Sharma • 29 May 09
Journal: Issues | The Wire Files [4]

What Do Real Thugs Think of The Wire?[1]

The Thugs were bored. Episode 7 [Season 5] failed to move them.
“Too slow,” griped Shine
“They’re making us wait,” said Orlando.
“See, that’s when this stuff gets unreal.


Short Circuiting the Power Grid: The Wire as Critique of Institutional Power

by Sophie Fuggle • 29 May 09
Journal: Issues | The Wire Files [4]

At the beginning of each episode of The Wire, we are presented with a quotation, a statement which will be made by one of the characters at some point in the episode. Detached from its context, these quotations seem to offer some philosophical insight into the show, its story and characters.


Who Loves Ya, David Simon?

by Jane Gibb and Roger Sabin • 29 May 09
Journal: Issues | The Wire Files [4]

Notes towards placing The Wire’s depiction of African-Americans in the context of American TV crime drama

Critics have justifiably praised The Wire for its rounded African-American characters, and the risks it took in foregrounding ‘black Baltimore’ – risks that have…


“Thin Line ‘tween heaven and here” (Bubbles): Real and Imagined Space in The Wire

by Linda Speidel • 29 May 09
Journal: Issues | The Wire Files [4]

In America, Baudrillard famously states:

The American City seems to have stepped right out of the movies…To grasp its secret, you should not, then, begin with the city and move inwards towards the screen; you should begin with the screen


The Life and Times of Fuzzy Dunlop: Herc and the Modern Urban Crime Environment

by C.W. Marshall and Tiffany Potter • 29 May 09
Journal: Issues | The Wire Files [4]

I’m a sworn fucking police officer” – Herc

Detective (later Sergeant) Thomas “Herc” Hauk (portrayed by actor Dominick Lombardozzi) is, perversely, the greatest criminal investigator in David Simon’s Baltimore. Despite his ostensible function as comic relief in The Wire,…


Casting The Wire: Complicating Notions of Performance, Authenticity, and ‘Otherness’

by Lisa W. Kelly • 29 May 09
Journal: Issues | The Wire Files [4]

In an effort to produce original programming that viewers are willing to pay for, the pay-cable channel HBO has successfully defined its output in opposition to network television. This approach is perhaps most apparent in The Wire (2002-2008), a drama…


The More Things Change, the More They Stay the Same: Serial Narrative on The Wire

by Erika Johnson-Lewis • 29 May 09
Journal: Issues | The Wire Files [4]

The Wire has been lauded for its uncompromising look at the failure of institutions in contemporary Baltimore. The city of Baltimore functions as a microcosm of the larger problems effecting contemporary U.S. urban life. Each season the writers tackle diverse…