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	<title>darkmatter Journal &#187; Reviews | darkmatter</title>
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		<title>Aesthetic Interrogation of Refugeeism, Migration and a Post-September 11 World</title>
		<link>http://www.darkmatter101.org/site/2011/12/16/aesthetic-interrogation-of-refugeeism-migration-and-a-post-september-11-world/</link>
		<comments>http://www.darkmatter101.org/site/2011/12/16/aesthetic-interrogation-of-refugeeism-migration-and-a-post-september-11-world/#comments</comments>
		<pubDate>Fri, 16 Dec 2011 18:07:04 +0000</pubDate>
		<dc:creator>Shinhyung Choi</dc:creator>
				<category><![CDATA[General Issue [7]]]></category>
		<category><![CDATA[Issues]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[aesthetics]]></category>
		<category><![CDATA[migration]]></category>
		<category><![CDATA[multiculturalism]]></category>
		<category><![CDATA[refugees]]></category>
		<category><![CDATA[representation]]></category>

		<guid isPermaLink="false">http://www.darkmatter101.org/site/?p=2707</guid>
		<description><![CDATA[Like Barthes’ photographic image containing accidental punctum, the texts and the pictures in <em>Elsewhere, Within Here</em> work to startle, wound and move us into thinking.]]></description>
		<wfw:commentRss>http://www.darkmatter101.org/site/2011/12/16/aesthetic-interrogation-of-refugeeism-migration-and-a-post-september-11-world/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Re:Imagining Change</title>
		<link>http://www.darkmatter101.org/site/2011/08/31/reimagining-change/</link>
		<comments>http://www.darkmatter101.org/site/2011/08/31/reimagining-change/#comments</comments>
		<pubDate>Wed, 31 Aug 2011 09:58:37 +0000</pubDate>
		<dc:creator>Jason Harle</dc:creator>
				<category><![CDATA[General Issue [7]]]></category>
		<category><![CDATA[Issues]]></category>
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		<category><![CDATA[activism]]></category>
		<category><![CDATA[Media]]></category>

		<guid isPermaLink="false">http://www.darkmatter101.org/site/?p=2632</guid>
		<description><![CDATA[Long-time activists Patrick Reinsborough and Doyle Canning have drawn from their wealth of practical contributions to successful and creative campaigns for ecological and social justice to craft the insightful and useful book, Re:Imagining Change.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Reframing 9/11: Film, Popular Culture and the “War on Terror”</title>
		<link>http://www.darkmatter101.org/site/2011/08/22/reframing-911-film-popular-culture-and-the-%e2%80%9cwar-on-terror%e2%80%9d/</link>
		<comments>http://www.darkmatter101.org/site/2011/08/22/reframing-911-film-popular-culture-and-the-%e2%80%9cwar-on-terror%e2%80%9d/#comments</comments>
		<pubDate>Mon, 22 Aug 2011 10:44:34 +0000</pubDate>
		<dc:creator>Enrica Picarelli</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[General Issue [7]]]></category>
		<category><![CDATA[Issues]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[9/11]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[war-on-terror]]></category>

		<guid isPermaLink="false">http://www.darkmatter101.org/site/?p=2648</guid>
		<description><![CDATA[At the heart of <i>Reframing 9/11</i> is an investigation of the processes of cultural formation unfolding within a system of power which takes as its object the coming into being of the subject, that is, the whole of the processes by which we develop an understanding of ourselves and represent it to the world through semiotic means. This is the regime of biopolitical sovereignty that informs...]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Screening Strangers: Migration and Diaspora in Contemporary European Cinema</title>
		<link>http://www.darkmatter101.org/site/2011/05/31/screening-strangers-migration-and-diaspora-in-contemporary-european-cinema/</link>
		<comments>http://www.darkmatter101.org/site/2011/05/31/screening-strangers-migration-and-diaspora-in-contemporary-european-cinema/#comments</comments>
		<pubDate>Tue, 31 May 2011 21:06:53 +0000</pubDate>
		<dc:creator>Emiliano Perra</dc:creator>
				<category><![CDATA[General Issue [7]]]></category>
		<category><![CDATA[Issues]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Europe]]></category>
		<category><![CDATA[fim]]></category>
		<category><![CDATA[representation]]></category>

		<guid isPermaLink="false">http://www.darkmatter101.org/site/?p=2583</guid>
		<description><![CDATA[Right from the outset, Screening Strangers lets the reader know what it is about. With a clever pun, the title refers to the act of screening (as in putting on screen, representing in cinema) migrants that are also screened (as in filtering the desired and the undesired) by a whole array of institutions within Fortress Europe.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Promised Land – The Reinvention of Leeds United</title>
		<link>http://www.darkmatter101.org/site/2011/05/06/promised-land-%e2%80%93-the-reinvention-of-leeds-united/</link>
		<comments>http://www.darkmatter101.org/site/2011/05/06/promised-land-%e2%80%93-the-reinvention-of-leeds-united/#comments</comments>
		<pubDate>Fri, 06 May 2011 13:27:53 +0000</pubDate>
		<dc:creator>Max Farrar</dc:creator>
				<category><![CDATA[General Issue [7]]]></category>
		<category><![CDATA[Issues]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[anti-racism]]></category>
		<category><![CDATA[football]]></category>
		<category><![CDATA[jews]]></category>

		<guid isPermaLink="false">http://www.darkmatter101.org/site/?p=2463</guid>
		<description><![CDATA[It’s a truism that everyone now is a sociologist, since sociological thinking – so strikingly novel fifty years ago – infuses most intelligent commentary these days.  Perhaps ‘cultural studies’ is now entering the mainstream too?  Anthony Clavane, history graduate, ex-school teacher and now a sports writer at the Sunday Mirror, has produced a book which is as comfortable with novels and films and the history of Leeds...]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>Walled States, Waning Sovereignty</title>
		<link>http://www.darkmatter101.org/site/2011/01/31/walled-states/</link>
		<comments>http://www.darkmatter101.org/site/2011/01/31/walled-states/#comments</comments>
		<pubDate>Mon, 31 Jan 2011 11:59:57 +0000</pubDate>
		<dc:creator>Ben Pitcher</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[General Issue [7]]]></category>
		<category><![CDATA[Issues]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[capitalism]]></category>
		<category><![CDATA[nationalism]]></category>
		<category><![CDATA[space]]></category>

		<guid isPermaLink="false">http://www.darkmatter101.org/site/?p=2165</guid>
		<description><![CDATA[At the heart of the problem of race is the trick of substantiation: the art of teasing something out of nothing, of giving meaning to meaninglessness and getting it to stick. Once conjured into existence, fact accretes around an empty nucleus. Objective powers grow from the groundless fantasies of blood or soil, thickening a carapace so vast and complex that it structures the whole architecture of the social.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Rey Chow Reader</title>
		<link>http://www.darkmatter101.org/site/2010/11/21/the-rey-chow-reader/</link>
		<comments>http://www.darkmatter101.org/site/2010/11/21/the-rey-chow-reader/#comments</comments>
		<pubDate>Sun, 21 Nov 2010 19:34:54 +0000</pubDate>
		<dc:creator>Joonok Huh</dc:creator>
				<category><![CDATA[General Issue [7]]]></category>
		<category><![CDATA[Issues]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[colonial history]]></category>
		<category><![CDATA[migration]]></category>
		<category><![CDATA[multiculturalism]]></category>
		<category><![CDATA[orientalism]]></category>
		<category><![CDATA[Popular-culture]]></category>
		<category><![CDATA[sexual-politics]]></category>

		<guid isPermaLink="false">http://www.darkmatter101.org/site/?p=2121</guid>
		<description><![CDATA[The Rey Chow Reader edited by Paul Bowman truly represents Chow’s brilliant scholarship in cultural studies and film criticism. The essays collected in this book demonstrate the range and profundity of Chow’s oeuvre. Her scholarship covers global and transcultural issues on both sides of the Pacific Ocean and is relevant to the areas of East Asian studies, feminist studies, and literary studies.  More significantly, her essays are remarkable for the deep personal insight they bring to each analysis.]]></description>
		<wfw:commentRss>http://www.darkmatter101.org/site/2010/11/21/the-rey-chow-reader/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Infidel – an East End ‘skin flick’</title>
		<link>http://www.darkmatter101.org/site/2010/06/08/the-infidel-an-east-end-skin-flick/</link>
		<comments>http://www.darkmatter101.org/site/2010/06/08/the-infidel-an-east-end-skin-flick/#comments</comments>
		<pubDate>Tue, 08 Jun 2010 22:52:16 +0000</pubDate>
		<dc:creator>Gil Toffell</dc:creator>
				<category><![CDATA[General Issue [7]]]></category>
		<category><![CDATA[Issues]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Islam]]></category>
		<category><![CDATA[Jewish]]></category>
		<category><![CDATA[multiculturalism]]></category>

		<guid isPermaLink="false">http://www.darkmatter101.org/site/?p=1868</guid>
		<description><![CDATA[Earlier this year, walking the south side of Whitechapel High Street in London’s East End I passed an advertisement for the cinematic release of the film <em>The Infidel</em>. Staring at me from a poster on the side of a bus stop was the film’s hero Omid Djalili. A curious figure he’s presented as cultural confusion embodied.]]></description>
		<wfw:commentRss>http://www.darkmatter101.org/site/2010/06/08/the-infidel-an-east-end-skin-flick/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Escape Routes: Control and Subversion in the 21st Century &#8211; Review</title>
		<link>http://www.darkmatter101.org/site/2010/04/21/escape-routes-control-and-subversion-in-the-21st-century/</link>
		<comments>http://www.darkmatter101.org/site/2010/04/21/escape-routes-control-and-subversion-in-the-21st-century/#comments</comments>
		<pubDate>Wed, 21 Apr 2010 14:20:16 +0000</pubDate>
		<dc:creator>Stephan Scheel</dc:creator>
				<category><![CDATA[General Issue [7]]]></category>
		<category><![CDATA[Issues]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[capitalism]]></category>
		<category><![CDATA[citizenship]]></category>
		<category><![CDATA[materialism]]></category>
		<category><![CDATA[migration]]></category>

		<guid isPermaLink="false">http://www.darkmatter101.org/site/?p=1836</guid>
		<description><![CDATA[The central question of Escape Routes sounds quite simple: 'How does social transformation begin?' But the answer that the book provides is provocative and contests many dominant explanations of social change: according to the authors it is not the brimming revolutionary events occupying the imagination of the left that capture the mechanics of social transformation but the seemingly 'insignificant occurrences of people’s daily actions'.]]></description>
		<wfw:commentRss>http://www.darkmatter101.org/site/2010/04/21/escape-routes-control-and-subversion-in-the-21st-century/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<item>
		<title>﻿Digitizing Race &#8211; Lisa Nakamura</title>
		<link>http://www.darkmatter101.org/site/2010/03/31/digitizing-race-lisa-nakamura/</link>
		<comments>http://www.darkmatter101.org/site/2010/03/31/digitizing-race-lisa-nakamura/#comments</comments>
		<pubDate>Wed, 31 Mar 2010 16:15:09 +0000</pubDate>
		<dc:creator>Sanjay Sharma</dc:creator>
				<category><![CDATA[General Issue [7]]]></category>
		<category><![CDATA[Issues]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[digital-divide]]></category>
		<category><![CDATA[race theory]]></category>
		<category><![CDATA[Technology]]></category>

		<guid isPermaLink="false">http://www.darkmatter101.org/site/?p=1794</guid>
		<description><![CDATA[For those of you with a soft spot for the anthropomorphized cartoon dog surfing the Internet, Lisa Nakamura abolishes such nostalgia, and misunderstanding. Half way through Digitizing Race, she coolly declares  '...nobody believes anymore that on the Internet nobody knows you're a dog...'.]]></description>
		<wfw:commentRss>http://www.darkmatter101.org/site/2010/03/31/digitizing-race-lisa-nakamura/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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