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	<title>darkmatter Journal&#187; Escape Routes: Control and Subversion in the 21st Century &#8211; Review | darkmatter Journal</title>
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		<title>Escape Routes: Control and Subversion in the 21st Century &#8211; Review</title>
		<link>http://www.darkmatter101.org/site/2010/04/21/escape-routes-control-and-subversion-in-the-21st-century/</link>
		<comments>http://www.darkmatter101.org/site/2010/04/21/escape-routes-control-and-subversion-in-the-21st-century/#comments</comments>
		<pubDate>Wed, 21 Apr 2010 14:20:16 +0000</pubDate>
		<dc:creator>Stephan Scheel</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[capitalism]]></category>
		<category><![CDATA[citizenship]]></category>
		<category><![CDATA[materialism]]></category>
		<category><![CDATA[migration]]></category>

		<guid isPermaLink="false">http://www.darkmatter101.org/site/?p=1836</guid>
		<description><![CDATA[The central question of Escape Routes sounds quite simple: 'How does social transformation begin?' But the answer that the book provides is provocative and contests many dominant explanations of social change: according to the authors it is not the brimming revolutionary events occupying the imagination of the left that capture the mechanics of social transformation but the seemingly 'insignificant occurrences of people’s daily actions'.]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>﻿Digitizing Race &#8211; Lisa Nakamura</title>
		<link>http://www.darkmatter101.org/site/2010/03/31/digitizing-race-lisa-nakamura/</link>
		<comments>http://www.darkmatter101.org/site/2010/03/31/digitizing-race-lisa-nakamura/#comments</comments>
		<pubDate>Wed, 31 Mar 2010 16:15:09 +0000</pubDate>
		<dc:creator>Sanjay Sharma</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[digital-divide]]></category>
		<category><![CDATA[race theory]]></category>
		<category><![CDATA[Technology]]></category>

		<guid isPermaLink="false">http://www.darkmatter101.org/site/?p=1794</guid>
		<description><![CDATA[For those of you with a soft spot for the anthropomorphized cartoon dog surfing the Internet, Lisa Nakamura abolishes such nostalgia, and misunderstanding. Half way through Digitizing Race, she coolly declares  '...nobody believes anymore that on the Internet nobody knows you're a dog...'.]]></description>
		<wfw:commentRss>http://www.darkmatter101.org/site/2010/03/31/digitizing-race-lisa-nakamura/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Darker than Blue</title>
		<link>http://www.darkmatter101.org/site/2010/03/12/darker-than-blue/</link>
		<comments>http://www.darkmatter101.org/site/2010/03/12/darker-than-blue/#comments</comments>
		<pubDate>Fri, 12 Mar 2010 10:04:55 +0000</pubDate>
		<dc:creator>Ben Pitcher</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[anti-racism]]></category>
		<category><![CDATA[gilroy]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://www.darkmatter101.org/site/?p=1775</guid>
		<description><![CDATA[Paul Gilroy carries a lot of symbolic weight. In our transnational academic milieu, Gilroy’s status as a superstar professor overdetermines his writing, forcing a peculiar disjuncture between the character of his project and the expectations of his eager audience. While Gilroy speaks of a poststructural cultural politics, he is too often forced into the position of custodian or leader that sometimes rubs up uncomfortably with his analysis...]]></description>
		<wfw:commentRss>http://www.darkmatter101.org/site/2010/03/12/darker-than-blue/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;To be loved, of course, and to be safe&#8221;</title>
		<link>http://www.darkmatter101.org/site/2009/01/17/to-be-loved-of-course-and-to-be-safe/</link>
		<comments>http://www.darkmatter101.org/site/2009/01/17/to-be-loved-of-course-and-to-be-safe/#comments</comments>
		<pubDate>Sat, 17 Jan 2009 23:22:14 +0000</pubDate>
		<dc:creator>Denise Decaires Narain</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[poetry]]></category>
		<category><![CDATA[queer]]></category>
		<category><![CDATA[sexuality]]></category>

		<guid isPermaLink="false">http://www.darkmatter101.org/site/2009/01/17/to-be-loved-of-course-and-to-be-safe/</guid>
		<description><![CDATA[Review of: <em>Our Caribbean: A Gathering of Lesbian and Gay Writing from the Antilles</em>, edited and with an introduction by Thomas Glave, Durham &#38; London, Duke University Press, 2008.]]></description>
		<wfw:commentRss>http://www.darkmatter101.org/site/2009/01/17/to-be-loved-of-course-and-to-be-safe/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Empire of Love: Review of Elizabeth Povinelli</title>
		<link>http://www.darkmatter101.org/site/2008/05/02/the-empire-of-love-review-of-elizabeth-povinelli/</link>
		<comments>http://www.darkmatter101.org/site/2008/05/02/the-empire-of-love-review-of-elizabeth-povinelli/#comments</comments>
		<pubDate>Fri, 02 May 2008 12:51:46 +0000</pubDate>
		<dc:creator>Silvia Posocco</dc:creator>
				<category><![CDATA[Issues]]></category>
		<category><![CDATA[Postcolonial Sexuality [3]]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[anthropology]]></category>
		<category><![CDATA[queer]]></category>
		<category><![CDATA[sexuality]]></category>

		<guid isPermaLink="false">http://www.darkmatter101.org/site/2008/04/28/the-empire-of-love-review-of-elizabeth-povinelli/</guid>
		<description><![CDATA[A review of Povinelli, Elizabeth (2006) The Empire of Love: Toward a Theory of Intimacy, Genealogy and Carnality, Durham and London: Duke University Press.]]></description>
		<wfw:commentRss>http://www.darkmatter101.org/site/2008/05/02/the-empire-of-love-review-of-elizabeth-povinelli/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Nationality: Wog &#8211; The Hounding of David Oluwale</title>
		<link>http://www.darkmatter101.org/site/2007/10/16/nationality-wog-the-hounding-of-david-oluwale/</link>
		<comments>http://www.darkmatter101.org/site/2007/10/16/nationality-wog-the-hounding-of-david-oluwale/#comments</comments>
		<pubDate>Tue, 16 Oct 2007 11:52:43 +0000</pubDate>
		<dc:creator>Max Farrar</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[anti-racism]]></category>
		<category><![CDATA[criminalization]]></category>
		<category><![CDATA[memory]]></category>

		<guid isPermaLink="false">http://www.darkmatter101.org/site/2007/10/16/nationality-wog-the-hounding-of-david-oluwale/</guid>
		<description><![CDATA[<p> Review of: Kester Aspden (2007) <em>Nationality: Wog &#8211; The Hounding of David Oluwale</em>, London: Jonathan Cape</p>
<p>This is an important, even ‘must-read&#8217; book for anyone interested in the history of crime in the UK, especially if that crime has&#8230;</p>]]></description>
		<wfw:commentRss>http://www.darkmatter101.org/site/2007/10/16/nationality-wog-the-hounding-of-david-oluwale/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mobilizing India: Women, Music, and Migration between India and Trinidad</title>
		<link>http://www.darkmatter101.org/site/2007/09/08/mobilizing-india-women-music-and-migration-between-india-and-trinidad/</link>
		<comments>http://www.darkmatter101.org/site/2007/09/08/mobilizing-india-women-music-and-migration-between-india-and-trinidad/#comments</comments>
		<pubDate>Sat, 08 Sep 2007 12:53:29 +0000</pubDate>
		<dc:creator>Sanjay Sharma</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[eurocentrism]]></category>
		<category><![CDATA[migration]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Popular-culture]]></category>
		<category><![CDATA[south-asians]]></category>

		<guid isPermaLink="false">http://www.darkmatter101.org/site/2007/09/08/mobilizing-india-women-music-and-migration-between-india-and-trinidad/</guid>
		<description><![CDATA[<p>Review of: Tejaswini Niranjana (2006) <em>Mobilizing India: Women, Music, and Migration between India and Trinidad. </em>London: Duke University Press. </p>
<p>Review can be read at anti-babel. (Due to copyright restrictions, this article can only appear on the reviewer&#8217;s own website).</p>
<p></p>
]]></description>
		<wfw:commentRss>http://www.darkmatter101.org/site/2007/09/08/mobilizing-india-women-music-and-migration-between-india-and-trinidad/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Infidel: My Life</title>
		<link>http://www.darkmatter101.org/site/2007/08/16/infidel-my-life/</link>
		<comments>http://www.darkmatter101.org/site/2007/08/16/infidel-my-life/#comments</comments>
		<pubDate>Thu, 16 Aug 2007 12:47:15 +0000</pubDate>
		<dc:creator>Sara Wajid</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[feminism]]></category>
		<category><![CDATA[Islam]]></category>

		<guid isPermaLink="false">http://www.darkmatter101.org/site/2007/08/16/infidel-my-life/</guid>
		<description><![CDATA[<p> Review of: <em>Infidel: My Life</em> (2007),<em> </em>Free Press.</p>
<p>Ayaan Hirsi Ali has hurled herself violently into the eye of the storm with her polemical pronouncements on the threat of political Islam, the dangers of multi-culturalism and the need for&#8230;</p>]]></description>
		<wfw:commentRss>http://www.darkmatter101.org/site/2007/08/16/infidel-my-life/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>A Postcolonial People</title>
		<link>http://www.darkmatter101.org/site/2007/07/30/a-postcolonial-people/</link>
		<comments>http://www.darkmatter101.org/site/2007/07/30/a-postcolonial-people/#comments</comments>
		<pubDate>Mon, 30 Jul 2007 13:44:12 +0000</pubDate>
		<dc:creator>Katy Sian</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[eurocentrism]]></category>
		<category><![CDATA[south-asians]]></category>

		<guid isPermaLink="false">http://www.darkmatter101.org/site/2007/07/30/a-postcolonial-people/</guid>
		<description><![CDATA[<p>A Review of: N. Ali, V. Kalra &#38; S. Sayyid (eds) (2005) <em>A Postcolonial People: South Asians in Britain</em>. London: Hurst.</p>
<p>In Roland Barthes&#8217;s <em>Mythologies</em>, the last sentence of the book urges that we must seek &#8220;a reconciliation between reality&#8230;</p>]]></description>
		<wfw:commentRss>http://www.darkmatter101.org/site/2007/07/30/a-postcolonial-people/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;Londonstani&#8221; by Gautam Malkani; &#8220;Tourism&#8221; by Nirpal Singh Dhaliwal</title>
		<link>http://www.darkmatter101.org/site/2007/06/14/londonstani-by-gautam-malkani-tourism-by-nirpal-singh-dhaliwal/</link>
		<comments>http://www.darkmatter101.org/site/2007/06/14/londonstani-by-gautam-malkani-tourism-by-nirpal-singh-dhaliwal/#comments</comments>
		<pubDate>Thu, 14 Jun 2007 20:39:00 +0000</pubDate>
		<dc:creator>Anamik Saha</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[hybridity]]></category>
		<category><![CDATA[Popular-culture]]></category>
		<category><![CDATA[south-asians]]></category>

		<guid isPermaLink="false">http://www.darkmatter101.org/site/2007/06/14/londonstani-by-gautam-malkani-tourism-by-nirpal-singh-dhaliwal/</guid>
		<description><![CDATA[<p>Review of: Gautam Malkani (2007) <em>Londonstani, </em>HarperPerennial; and Nirpal Singh Dhaliwal (2006) <em>Tourism, </em>Vintage.</p>
<p>With last year’s protests surrounding the filming of Monica Ali’s <em>Brick Lane</em> the debate on authenticity and representation yet again reared its head. It seems a&#8230;</p>]]></description>
		<wfw:commentRss>http://www.darkmatter101.org/site/2007/06/14/londonstani-by-gautam-malkani-tourism-by-nirpal-singh-dhaliwal/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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