Reframing 9/11: Film, Popular Culture and the “War on Terror”
22 Aug 2011Review of: Jeff Birkenstein, Anna Froula, Karen Randell (eds) (2011) Reframing 9/11: Film, Popular Culture and the 'War on Terror'. Continuum. A section of Brian Massumi’s essay on fear, “Everywhere you Want to Be” (1993), is entitled “What, in the Real, Takes...
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Transgressing Virtual Geographies
27 Jul 2011Maryam Monalisa Gharavi interviews Ricardo Dominguez As co-founder of The Electronic Disturbance Theater, Ricardo Dominguez’ name has long been legendary among hackers, proto-internet enthusiasts, and performance artists. For more than 20 years Dominguez has pretzeled a non-traditional professional trajectory (even by contemporary standards) combining new media, artistic...
Read more![Stuart Hall in conversation with Les Back [audio]](http://www.darkmatter101.org/site/wp-content/uploads/pdf/stuart_hall1-e1304888528449.jpg)
Stuart Hall in conversation with Les Back [audio]
28 Nov 2010In March 2006 I received an email from my friend and colleague Claire Alexander about her plan to edit a journal special issue dedicated to assessing and celebrating the work of Stuart Hall. She wanted particularly to foreground his contribution to understanding race and racism in Britain but also his work...
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Reviews
Post Black: How A New Generation is Redefining African American IdentityPost Black is an overdue exploration that probes the question of what it means to be young and black in 21st century America.
Commons
Aaj Kaal (Yesterday, Today, Tomorrow) [video]It has become commonplace to film elders. But it is not so usual for elders to make a film themselves. A little known film, Aaj Kaal (1990) was made over twenty years ago by South Asian elders, within a community education project based in Southall (London), directed by Avtar Brah and coordinated by Jasbir Panesar…
Media
Stuart Hall in conversation with Les Back [audio]The conversation was published in 2009 in a special edition of Cultural Studies dedicated to Stuart’s life and work. The advantage of the recording available here for the first time is that the listener can access aspects of Stuart’s style of intellectual dialogue that cannot be transposed to the page.
